What Would Paul Say About the Olympic Opening Ceremony?
REBEKAH COCHELL | GUEST Last week, my husband and I met a man in Istanbul. He mentioned the Paris Olympics Opening Ceremony and shook his head. He said, “They don’t understand. This “freedom” they want is just another type of bondage. Another type of control.” He went on to describe how society thrives on structure and boundaries, on the family unit being the foundation of society, and how religious beliefs and moral values enhance a culture. The Olympic opening ceremony has caused quite a controversy. I took a particular interest in the banter. After all, it was “in my lane” as an art professor at a Christian university, currently teaching a course in “Art as Communication.” The performance that has caused so much controversy was a “tableau vivant,” a live re-enactment of a painting, and depicted a group of people, mostly drag queens and LGBTQ+ supporters behind a table. It included an immense plate filled with flowers and fruit and a man painted in blue with a flower wreath. Immediately following the performance, there was an outcry from religious and conservative leaders throughout the world claiming this was a blasphemous parody of Leonardo DaVinci’s Last Supper fresco. Almost as immediate were the social media posts in response which claimed that Christians were not “cultured” or informed about art history since the performance was meant to re-enact another painting, The Feast of the Gods by Jan Hermanzs van Biljert...